Jack White was commissioned by Sony Pictures to write a theme song for the James Bond film Quantum of Solace, not for Coca-Cola. Any other use of the song is based on decisions made by others, not by Jack White. We are disappointed that you first heard the song in a co-promotion for Coke Zero, rather than in its entirety.
UPDATE: As someone mentioned in the comments, I’m sad to say that Nagi Noda, the Japanese director of the Coca-Cola ad, died on September 7th due to complications from an accident she was in earlier this year. The world has lost a truly talented and inspiring individual.
But according to the Telegraph UK, Winehouse is threatening to release the version of the Bond theme in order to show the flim producers that they have â€œmade a big mistake.”
Said Winehouse, “I guess they are going for clean-cut and boring. When I do release mine â€“ and I am tempted to do it on the same day â€“ this would be the bigger hit…If they change their minds, Iâ€™m waiting.â€
Amy plans on releasing her collaboration with Mark Ronson on the same day as the White/Keys duet is being released, October 28th.
Bob Dylan must be jealous, and Duffy‘s probably sad… according to MSNBC (via Access Hollywood) and NME, Jack White and Alicia Keys will record the new James Bond movie theme song–the first duet in Bond movie history.
Writes MSNBC: “Alicia Keys and Jack White will record the theme for ‘Quantum of Solace,’ Access Hollywood has learned. The new track, called ‘Another Way To Die,’ was written and produced by White.”
What are your bets for what it’s going to sound like?
According to an MTV News interview with Roca, after the band saw a rough cut of the footage, they extended positive words about the documentary–but only a short time later, the band released a live concert music video for “Black Math,” (below) which mirrored the style of the footage Roca had shown them, and the band cut off all communication.
“Black Math” (live) music video in black, white, and red.
I kinda forgot about the documentary, only hearing about it in passing–almost as it if never existed, gathering a myth of its own. I heard about a friend of a friend who had seen it, maybe, and said it was pretty cool, etc.
UPDATE: November 2018: The house has been pulled off the market by the current owners as of November 30, 2018. Looks like they were unable to get their dream price of $1.2 million. Based on other home sales in the area, Trulia estimates the house to only be worth $672,000.
July 2018: Jack White’s former home in Detroit is back on the market, this time for $1.2 million. That’s a huge jump from the last time the house sold, in 2007 for $590,000. Wow, that’s some real estate appreciation! The current owners have updated the home with dashes of blue and yellow paint, but the famous main staircase upon which Jack and Meg recorded Get Behind Me, Satan remains largely untouched.
White must have been anxious to sell, as he now lives in Nashville, TN with his wife and child. He spent a reported $200,000 worth of restoration/upgrades on the property–more than three times the $66,000 he gained in the sell, putting him in the red for net earnings on the real estate deal.
Note to self: Don’t take real estate advice from Jack White.
We all know that Jack White has vacated his historic Detroit house and is now a proud resident of Nashville, TN, but up until now I’ve seen little detail about the house he moved into. Thanks to Mr. Kelly Stewart, more has been revealed.
Kelly’s a resident of Nashville and recently stopped by the seven acre estate purchased by Jack at the end of 2005. And the best thing that Jack’s done to the grand 1910 white house? Painted his front door a beautiful fire engine red, of course!
Jack White has officially wiped his hands clean of his former hometown of Detroit, MI. (He currently hangs his hat in Nashville, TN.) He has now put his house in the D on the market, the historic 1731 Seminole, with an asking price just under a million dollars: $930,000.00. Not bad for a house he bought the deed for $1 from Richard L. Bradley and Kenneth B. Welsh in 2003.
The house is beautiful and well-maintained (Jack spent a reported $200,000 in restoration/ modification on the house), containing many of the original details of the house. The expansive house features a laundry room, attic, library, sunroom, formal dining room, full dressing room, and a Herring-Hall-Marvin Walk-In Safe. One of the hidden treasures of the abode is a large “secret garden” courtyard with a Koi Pond in the center.
Holy CRAP! Jack sure packs a mean punch! Images taken of Jason Stollsteimer after being released from Detroit Receiving Hospital reveal the kind of ass-kicking Jack is capable of. This is all getting a little bit too Tommy and Pam for us. No one from the White Stripe camp has called out the “publicity for my new album” card yet, but we wouldn’t be surprised if some backlash comes about from this. Wonder how Ryan Adams feels to be no longer the concentrated source of Jack White’s wrath. Luckily Ryan was smart enough to stay arms length from Jack “The Jabber” White. Dear Jesus! We can help but feel that we have played some horrible part in re-igniting this rivalry… We know how jealous Jack gets when we start gagging over other bands from Detroit that aren’t the White Stripes or Whirlwind Heat… but even we think he’s gone a bit too far this time. Hey, come to think of it, Jack punched out David Swanson’s front tooth the same night we saw them in San Diego… hmmm… Unbelievable linkage from Whatevs.
Statement from the Von Bondies Management:
Stollsteimer was violently attacked by Jack White of the White Stripes without warning or provocation. White approached Stollsteimer during the concert, physically forcing him against the speakers, and began shouting. Stollsteimer attempted to turn his head [to] face White but refused to engage in conversation. Visibly angered by Stollsteimer’s unwillingness to argue or fight, White spat into Stollsteimer’s face and punched him in the head and face repeatedly. White then forced Stollsteimer to the ground and continued his attack until White was restrained by several crowd members.