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Day 3 of CMJ was an all-day affair at the I Guess I’m Floating/ Tell All Your Friends PR showcase at Pianos.

The lineup

My personal music marathon started out with the Seattle-based upstarts, Beat Connection, who were fresh off the red-eye from the Left Coast. Their set started off with a bit of a bumpy start — with the laptop not cooperating just a couple songs in. While the band waited for the Mac to kick back in, they explained that they were super excited to be at CMJ, because it was their first time ever at the festival (as performers or attendees). Awww!


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Quickly, some recommendations for this year’s CMJ:

These shows are bound to be completely packed. Attend if you dare: Zola Jesus (Knitting Factory on Tues; LPR on Wed); Wild Flag (Bowery Ballroom on Tues)

My picks: Young Magic at Public Assembly at 10pm on Tuesday. If you can stay up late, check out Dent May. Last year I caught Class Actress, who is ending the night at 1am, when she showcased at Cameo Gallery, but sadly was unimpressed. Maybe her live show as gotten better since then?

Other bands I’m hot to check out: Guards, Grimes, Boy and Bear, Active Child, and my (and seemingly everyone else’s) new favorite band, Purity Ring

Would love to check out Bleached and King Krule, but the scheduling gods seem at conflict.. but you never know…

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I’ll admit, by Day 4 I was hurting a little, so I took it relatively easy with a night filled with some low-key shows.

First stop was to catch The Babies, featuring Vivian Girls’ Cassie Ramone, at the FADER Fort on the Lower East Side which was sponsored by… er… hmm… I can’t seem to remember…

Next stop was Pianos to see another Vivian Girl with VG bassist Katy Goodman’s side project, La Sera, but with this group Katy gets the spotlight as front woman. Strongly influenced by ’60 girl pop, with lovely melodies and a cheery vibe, the three piece was truly charming.


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I dubbed Day 3 as “ladies night” since the three bands I’d planned to see were all fronted by women.

First up was an extremely early set by the Montreal, Quebec-based quartet, Braids, who were playing the opening spot at the showcase at Arlene’s Grocery. As the crowd waited for the show to start, they filled their bellies with cups of the Canadian comfort food poutine, which was being served in foam cups to the audience.

I absolutely loved their set. Lead singer Raphaelle Strandell-Preston kinda looks like an even tinier, dark-haired Alyson Hannigan, with a wide-eyed look and an innocent face. But when Raphaelle sings, she has a sweet yet piercing voice that can quickly turn a beautiful croon into a surprisingly edgy growl. Her voice seemingly skips, jumps, and hops slowly building swells of the keyboards, guitars, and drums. Their music is quirky and beautiful, much like the Dirty Projectors, but with a bit more playfulness.


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After a somewhat disappointing Day 1, I was really hoping the second night of CMJ would be much more fruitful. I started the night by popping over to an early showcase at Bruar Falls where Dale Earnhardt Jr. Jr. were playing. I got there ten minutes before the 7:30pm set and DEJJ still had all their gear parked outside the venue.

About 30 minutes later, their huge “JR JR” glowing letters had been set up and the guys took their places on the stage, commenting that they were going to do a stripped down set due to the limited space. (“So stripped down we’re wearing the clothes we normally wear under our jumpsuits.”) The Motor City natives did three lovely songs (including a cover of The Beach Boys song “God Only Knows”) before drawing their show to a close.

At the end of the show they announced that they’d be handing out comment cards (“like the ones they give out on Top Chef”) and that 5 meant awful and 1 meant fantastic ;) . Based on that scale, I would have filled out my imaginary rating card at a 1. Dale Earnhardt Jr. Jr. charmed me with their fun, poppy songs and upbeat and funny banter.
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Ah, the annual running of the music hipsters — aka CMJ. The annual College Music Journal’s music festival hits New York once a year in an effort to give fledgling bands the opportunity to get seen by industry honchos, journalists, bloggers, and the odd fan or two who forked over a pretty penny for a badge.

I started out my conquest of CMJ 2010 slowly, with a light day one – heading over to Lovin’ Cup’s back room performance space, Cameo Gallery to see Class Actress. I had high hopes for the Brooklyn-based artist also known as Elizabeth Harper after becoming a fan of her song “Journal of Ardency.” With it’s synth-heavy vibe and sexy vocal track, the tune is made to be played in a dark and dirty club to get all the ladies dancing in a lascivious manner. I thought it had true potential to be pretty amazing in the flesh.

Soon after I arrived Ms. Harper, wearing black harem pants and a white tank top, and her band took the stage. And as I said before, I was pretty excited to be there, having picked Class Actress as one of the bands I was most excited to see perform at CMJ however, I was really disappointed with the performance I witnessed. I’m not sure whether it was the sound or the backing band’s familiarity with the songs, but the keyboards sounded a bit off and sour.

That said, synths can sometimes inherently sound cheap and horrible, but this in combo with the surprisingly weak vocals by Ms. Harper was the kiss of death. While in the recorded material Ms. Harper’s breathy vocals come off as sexy, during a live show it just doesn’t work the same way. In fact, her tenuous singing voice didn’t come off as a stylistic choice so much as a questionable ability to sing in the first place. No amount of hip swiveling or running hand through hair was going to save this set from sinking.

I really don’t feel all that great about crapping on people’s performances because I know how hard it must be to get up there on the stage and put yourself out there for people like me to judge you, but I’d be lying to y’all if I didn’t really say how I felt about the show.

I almost couldn’t believe how bad it was — I stuck through the entire act hoping that those first few songs were just a fluke — that Ms. Harper had been struck with some kind of vocal performance amnesia and that any second she would snap out of it and I could breathe a sigh of relief– but when she broke into my aforementioned favorite Class Actress song, my worst fears were confirmed: Elizabeth Harper is way better in the studio than she is live. Which I guess is fine — it works for successful performers like Madonna and Taylor Swift, who pretty much cannot sing a lick onstage but still sell millions of albums and concert tickets — but knowing that I probably would think long and hard before ever seeing Class Actress again live.

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Towards the end of their set at the Windish Showcase @ Santos Party House, School of Seven Bells touring drummer Zachary Saginaw asked his girlfriend Marie to come on stage.

After a little over two minutes she finally appeared and he got down on one knee and proposed. She said, “oui”!

Witness the magic!

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When I grow up I want pretty hair like hers.

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My phone keeps wanting to autocorrect “Fader” to “Faderlabel.” WTF is “Faderlabel” and why is it on my phone autocorrect?

Anyways, starting the night out at Fader Fort. My tired feet in heeled boots appreciates the industrial carpeting.

The bad news is I already had my first drunk of the night knock into me.

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Lia Ices: absolutely stunning on so many levels.

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