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concerts

Yes, that’s right — tonight is the opening of the concert photography group show that I’m proud to be a part of: 120 dB, curated by Maryanne Ventrice. Alongside some other totally amazing lady concert photogs and friends like Abbey Braden and Diana Wong, I’ll be exhibiting five of my favorite concert photos from the archives, from 2002-2011.

If you haven’t read any of the awesome buzz we’ve already gotten from Brooklyn Vegan, NYC Taper, Prefix Mag, or Bumpershine, here are the details:

120 dB Concert Photography flyer

Please join us at Fort Useless on January 27th from 6-10 pm for our opening reception — FREE

RSVP on our Facebook page

Fort Useless
36 Ditmars Street, Brooklyn

Map:

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Hope to see you there!

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Who loves Ryan Adams? I do! I do!

As you may have already figured out from my tweets, just as I was lucky a few months ago when Coldplay was in town, I was again blessed enough to sit in on Ry Ry’s intimate performance at the Ed Sullivan Theater for Live on Letterman.

According to Ryan, for this tour he is doing all solo sets (yup, no Cardinals) because… he is. But he still has the classic crazy Ryan Adams between song banter — this time hypothesizing what would happen if you came to a Live on Letterman taping and KISS was performing, the “real” pyrotechnic show that is usually on display during “Lucky Now”, and an in-depth rant on the failings of the fourth season of “Moonlighting.”

Vocally, Ry Ry has never sounded better. Clear, crisp, and in control, I thought his voice was beautiful during the whole performance. He did an understated version of “New York, New York” on the piano — after which the guy a row in front of me shouted, “We still love you too, Ryan!” Another song of note was a cover of Bob Mould’s “Black Sheets of Rain.”

It’s been quite a while since I’ve seen Ryan perform (was at the last time the 2008 Cafe Select show????), so I was delighted when he played some older hits — especially “English Girls Approximately” — as soon as he hit the chorus of the song I was reminded how MUCH I love that song. (The playing of “Love Is Hell” will be occurring all day today.)

More classic Adams details included Ry dressed in a black tee with red design, jeans, brown workbooks — but most importantly, one impossibly expensive looking black leather jacket with an homage to Iron Maiden painted along the entire back. (Of course!!)

Can’t wait to see him tonight at the big Carnegie Hall show!

Setlist via the Ryan Adams Archive:

Oh My Sweet Carolina
Ashes & Fire
If I Am A Stranger
Dirty Rain
New York, New York (piano)
Do I Wait
Lucky Now
Jacksonville Skyline
Black Sheets of Rain (Bob Mould cover)
English Girls Approximately
16 Days

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Day 3 of CMJ was an all-day affair at the I Guess I’m Floating/ Tell All Your Friends PR showcase at Pianos.

The lineup

My personal music marathon started out with the Seattle-based upstarts, Beat Connection, who were fresh off the red-eye from the Left Coast. Their set started off with a bit of a bumpy start — with the laptop not cooperating just a couple songs in. While the band waited for the Mac to kick back in, they explained that they were super excited to be at CMJ, because it was their first time ever at the festival (as performers or attendees). Awww!


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Scenes from tonight:

Day 1 of CMJ was a great start. Caught NYC via Australia band Young Magic‘s killer set at Public Assembly in Williamsburg. Dreamy, and dead sexy songs.

Also managed to catch a few songs by Boston band Quilt at the Mexican Summer showcase in the back room at PA. Some solid sonic noodling.

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Quickly, some recommendations for this year’s CMJ:

These shows are bound to be completely packed. Attend if you dare: Zola Jesus (Knitting Factory on Tues; LPR on Wed); Wild Flag (Bowery Ballroom on Tues)

My picks: Young Magic at Public Assembly at 10pm on Tuesday. If you can stay up late, check out Dent May. Last year I caught Class Actress, who is ending the night at 1am, when she showcased at Cameo Gallery, but sadly was unimpressed. Maybe her live show as gotten better since then?

Other bands I’m hot to check out: Guards, Grimes, Boy and Bear, Active Child, and my (and seemingly everyone else’s) new favorite band, Purity Ring

Would love to check out Bleached and King Krule, but the scheduling gods seem at conflict.. but you never know…

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Hey y’all. Sorry I have basically fallen off the face of the planet in terms of updates. August was a great month — saw lots of good music. Here are some of the shows I witnessed:

The biggest blowout I attended last month was on August 11th for Celebrate Brooklyn‘s last concert of the summer, featuring Aussie dance party gods, Cut Copy, and California wunderkids, Foster the People. So much crazy dancing, so much fun! (And a damn near Lindsay Lohan sighting!)

Lead singer Mark Foster told a story about how when he was a teenager he approached Rivers Cuomo at a party and tried to get him to listen to his demo. Fast foward to 2011, and now Weezer has been known to cover “Pumped Up Kicks” in concert. As an homage, FTP did a cover version of “Say It Ain’t So”:

Cut Copy wants you to feel the power!

Crowd during Cut Copy finale
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Sure I had back sweat, front sweat, side sweat, and butt sweat, but today’s FREE Friendly Fires + Naked and Famous + Cults show for Summerstage at Central Park was SO FUN.

I was dancing up a storm, making a fool of myself. If you were in the crowd, you may remember me from such things as screaming really loudly and terrifying The Music Slut at the start of “Hurting,” or doing a whirlwind dance past you on the way to the front of the crowd during the performance of “Hawaiian Air” during the encore.

Never ever before have I seen this, but guitarist Edd Gibson actually had REVERSE sweat stains on his denim shirt — as in, the entire shirt was drenched with sweat except for this 2-by-3-inch space under his armpit. SWEATMASTING! Ed Macfarlane was of course wearing a hideous printed shirt and dancing like a possessed samba instructor. There was a sax player and a trumpet player. I SAID, I SAID, I SAID THERE WAS A SAX PLAYER. Sax at a show = Brilliant. <3

I'd like to buy a "F" for $200...

Openers Cults were perfectly dreamy as per usual, and New Zealand’s own Naked and Famous were no where near naked, but good times nonetheless.

"So hey, I'm going to this show, do you want to come?" "Sure!" "OK, well just MAKE SURE you wear all denim. It's kinda a thing."

SETLIST: Lovesick, Jump In Pool, Blue Cassette, True Love, On Board, Chimes, Skeleton Boy, Show Me Lights, Live Those Days Tonight, Hurting, Pull Me Back to Earth, Paris ENCORE: Hawaiian Air, Kiss of Life

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Last Sunday I had a pretty radtastical casual day at the Beekman Beer Garden at South Street Seaport watching those oldies, but goodies, The Raveonettes do a free show by the Manhattan waterfront.

I can’t tell you the last time I saw the Raveonettes in concert — probably the mid-2000s time frame — but I’m happy to report that they still rock out. Admittedly, you’ve heard one Raveonettes song, you probably have heard them all (heavy guitar sound, pretty light vocals and harmonizing), but they are enjoyable nonetheless.

On a normal night the Beekman Beer Garden crowd is basically B&T and tourists, but the concerts crowd was a mix of enthusiastic youngsters (free! during the day!) and old timers who crawled out of the woodwork to relive the adventures of their younger selves. Lots of little rocker kids as well, adorable!


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Gosh, the summer is just flying by! Here are a couple of things that have put a smile on my face so far:

The Radio Dept. and Asobi Seksu @ River to River, South Street Seaport – July 15, 2011

A few weeks ago I had the pleasure of re-living the mid-2000s with a performance by Swedish shoegazers The Radio Dept. and NYC’s own Asobi Seksu.

A beautiful night with beautiful music.


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On Saturday I was lucky enough to be in town for the first ever 4Knots Festival presented by the Village Voice. The 4 Knots fest is the replacement for the now defunct Siren Festival — the VV’s free music event on Coney Island. If memory serves me correct, I had attended each and every Siren Fest during it’s 10 year run. So it was only fitting that I attend the son of Siren.

Trading the tip of Brooklyn for the tip of Manhattan, the 4 Knots fest took place at Pier 17 at the famed South Street Seaport. It was a bit of a relief to find out that 4Knots only had one stage — Siren Fest always had a “Main” stage and a second “Stillwell” stage, which was kind of annoying because you’d find yourself running up and down the boardwalk all day long trying to catch all the different sets — never being able to fully watch all of them.

Butt pirates...hehehe (sorry)

On top of that, the VIP tents were situated behind the stages — which basically made for the most ginormous clusterf*ck toward the end of the night. By the headlining sets you knew that if you dared leave the pit, you might never get back in — and if you never left, you’d probably be surrounded by a bunch of folks who seemed exceedingly more interested in the free Bud Light than they were in the actual music.

4Knots was far more pleasant — VIP folks were sanctioned off on the Peking ship — off to the side of the stage, leaving the pit for people who actually needed to be there.

I suppose there was a “second stage” of sorts — the 4Knots indoor lounge on Front Street — brilliant because it was indoors with air conditioning, as well as the fact that it was open to the public. Fans of acts like Brahms, Yeasayer, and Dan Deacon could come listen to the celeb DJs spin their favorite tunes while taking photos at the Pop Chips booth, or singing karaoke.

But it wasn’t that bad to be outside — the sun was shining, it was pretty damn hot, but not actually that humid. Couldn’t ask for a better day.

Ok, but enough commentary on the setup — let me just give you the low down on the actual event:

Hands down my favorite act of the day was Titus Andronicus. I had seen Titus Andronicus play a couple times before (in the oxygen-deprived basement of Lit, at MHOW for ATJF ), but never have I seen them truly shine in the way I did this weekend.

The energy, enthusiasm, and love that radiated through the band and the crowd during their set absolutely blew me away. I was genuinely excited by their raucous, explosive set filled with their raw, yet poetic tunes. You could see in the faces of the fans that this band truly MEANS something to them. The devotion I saw in these kids was the kind that can produce involuntary body convolutions. The crowd felt like one giant organism, breathing, singing, cheering, and watching in unison. So many of the kids up front had clear eyes that were fixed on the every move of lead singer Patrick Stickles.


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