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April 2010

Mark your calendars, The Dead Weather unleash their newest album upon the world on May 11th. But you’ll be able to get a taste of the full album this coming Monday on a Myspace live stream. Begining at 3pm PST/6pm EST on the band’s Myspace page, Jack, Alison, Little Jack, and Dean will perform the album front to back in the live room at the Third Man Records building in downtown Nashville, the same space in which they played their very first show in March 2009 .


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The last time I saw The Morning Benders was just under two years ago when they opened up for the Kooks when I wrote this review:

Openers The Morning Benders seemed like a perfect match in terms of the demographic of the audience. Comprised of four innocuous looking young men with perfectly poppy tunes, the Berkley quartet were probably loving all of the supportive whooping coming from the audience. However, after the show the lead singer caused a giant clusterfuck along the exit path as little ewoks huddled around him asking him to sign their CDs and chit-chatting with him. Gasped one girl to the other, “Ohmigod, it IS HIM!

Some things have changed since then: while The Morning Benders still hold on to their pop roots, they’ve graduated into a grand choral sound full of harmonizing vocals and reverberating guitar distortion. You can’t help but wonder how much of that change has to do with Grizzly Bear’s bassist/producer Chris Taylor, who lent his talents to the production of TMB’s newest LP, Big Echo. But no matter what the origin for the shift in the band’s sound, there’s no denying that the result is stellar.


This is a face any Asian grandmother would love!

The Morning Benders have successfully synthesized the rarely occurring combination of making music that appeals to both geeky music nerds and 16-year-old girls. But what’s most unusual is that unlike so many other groups in the geeky music nerd/16-year-old girl cross section (MGMT, LCD Soundsystem, Beyonce [ironically]), TMBs don’t rely on tons of synthesizers and dancey hooks to reel in their audience.

Instead they lean on their innocent baby faces and mild manners retain their core group of fans who fell for the pop pedigree sounds of their first album, while letting their new sound captivate a more mature, less estrogen-fueled fan base who got a taste of them while opening up for Grizzly Bear and Ra Ra Riot.

PHOTOS: The Morning Benders @ Music Hall of Williamsburg

They also tap into an underutilized marketing tool in indie rock — the power of the Asians. Everyone knows that little Asian girls love indie rock music (take a look at the front row of the makeup of any poppy British band and tell me I’m wrong), and now they finally have their very own set of dreamy Asian-mom-approved guys to pine over. But what about the white dude on the drums? It’s A-OK my friends, the internetz tell me that just like white people like Asian girls, Asians girls like white dudes.

Time to add the Chu brothers and Tim Or to the great pantheon of other Asian dude rockers — like James Iha and… uh… that Asian guy from N.E.R.D.?????
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Just came back from a fantastic Morning Benders show at Music Hall of Williamsburg. Some photographs…review later.

PHOTOS:


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These things made me smile today:

1. Kid singing “Bad Romance” by Lady Gaga

Everyone loves overweight white kids named Timmy wearing Mickey Mouse pajamas in his kitchen sharply snapping along the beat to an a capella version of “Bad Romance”. Oh and did I mention he’s singing into a ripened banana?

The best part? Around 3:10 when Timmy starts stomping in rhythm with the song as he chants “Walk, walk fashion baby/Work it/Move that bitch crazy.” You go girl-er-boyfriend!

SOURCE: Youtube via FREEwilliamsburg

2. Apple Aims to Dethrone Ticketmaster(bastard)

Apple applied for a patent to develop an electronic ticketing system connected to iTunes called “Concert Ticket +” SOURCE: Patently Apple
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Last Friday I braved the rain and headed over to Bruar Falls to check out an up-and-coming Brooklyn artist Beach Fossils, the brainchild of one Dustin Payseur.


Photo by BSB

While Payseur’s Beach Fossils songs sound dreamy and spacey on tape, when the tunes are played live, they take on a new, edgier dimension. Playing to a crowd of sweaty young kids in the tiny Bruar Falls’ concert space, IMHO the modest setup added some advantages to the overall sound — Payseur was forced to sing he lyrics a little louder into the microphone, the drums sounded sharper, more thunderous (and a lot like Joy Division) and stronger, and Payseur and the band played faster, fiercer, and with a lot of energy. (The bassist was wielding his guitar back and forth so violently, some folks cautiously backed away from the stage as they walked by to go to the bathroom.)

Check out this awesome video the BSB shot at the show:

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Kathryn’s tweet reminded me that I need to share this video and story with all of you. I was totally captivated by the ProPublica/NPR’s Planet Money/This American Life joint venture in investigative reporting to divulge some of the untold stories of the most recent global financial crisis. Their piece revolves around exposing the fishy, deceitful practices of the hedge fund Magnetar.

Listen to the full This American Life story, “Inside Job.” You will NOT be disappointed… and you’ll probably be a little outraged.

You can also learn this catchy tune inspired by the piece, “Bet Against the American Dream,” written by one of the creators of Avenue Q:

Bet Against The American Dream from Planet Money on Vimeo.

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I can’t tell you how many times I’ve had to listen to the song “Answer to Yourself” by Soft Pack. It’s practically on auto-repeat here en la casa de Modernage.

Admittedly, it’s a great song, and now it has a great new video courtesy of a Mean Video mashup featuring the stars of Kick-Ass, Chloe Moretz, Clark Duke & Christopher Mintz-Plasse.

In the video the trio battle against lunchroom bullies and (of course) kick their asses.

The Soft Pack will be playing at two upcoming festivals: 4/18 in Indio, CA @ Coachella and
8/6-8/8 in Chicago, IL @ Lollapalooza.

But back to Moretz
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Record Store Day Is Today!

April 17, 2010

in music

Don’t forget to head over to your local record shop in celebration of Record Store Day.

Shops will be featuring exclusive vinyl releases from artists like Wilco, Hole, Pavement, MGMT, Surfer Blood, YYYs, Deerhoof, and many many more.

Check out your LRS for a list of in-store events and special offers. A few highlights below:

Other Music: NY, NY

SPECIAL STORE HOURS THIS SATURDAY:
11AM to 8PM (In-Store Performances begin at 9PM)

We also have a fantastic line-up of guest DJs spinning their favorite tunes throughout the day and then at 9PM, performances from the Drums and the Pains of Being Pure at Heart. Here’s the full schedule:

GUEST RECORD STORE DAY DJS:
1PM: Dan Hougland from Excepter
2PM: Sal P of Liquid Liquid
3PM: Nice Nice
4PM: The Hundred in the Hands
5PM: Avey Tare from Animal Collective
6PM: Scott from the National

LIVE IN-STORE PERFORMANCES START AT 9PM:
The Drums & The Pains of Being Pure at Heart
Free Admission / Limited Capacity
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To be honest, I can’t remember the last time I looked for a print publication of NME in a magazine store (or the last time I stopped in a magazine shop), but after reading this Guardian interview with new editor Krissi Murison, I have to say I’m a bit intrigued.

Murison, a long-time NME staffer who worked her way up the ranks before leaving for a brief 7-month stint at music director at NYLON magazine in NYC, took the reigns of New Musical Express last June. Last week a new design and direction was revealed for the magazine — with a streamlined logo, a redesign and reorganization of the interior sections, and a more sophisticated, in-depth point-of-view.

Many detractors of the brand have complained that the magazine has increasingly become gossipy, laddish, and guilty of flip-flopping between lauding bands one week and then slamming them the next. Murison intends to bring NME back as a “heavyweight” in terms of reporting and information to its 18- to 24-year-old core readers.

The 28-year-old editor-in-chief has a long road ahead of her, with NME circulation down 24.3% year on year to 48,549 from the June – December time period from last year, and more more more eyeballs shifting from print to online.

What do you think of the revamp of NME? Can it stave off declines in its print numbers or is it a lost cause?

More on NME and Krissi Murison: Guardian style interview, Mediaweek, The Independent, Liverpool Echo

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The perfect time of year in NYC IMHO. Union Square flowers.

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