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July 2008

So long-time White Stripes fans who attended the 4-night stand at the Bowery Ballroom in 2002 may remember sketchy peeps in white lab coats running around the building, filming something. As it was revealed later, it was footage being shot for a documentary entitled “Nobody Knows How to Talk to Children” shot/directed/edited by one George Roca.


A still of Meg and Jack from “Nobody Knows How to Talk to Children”

The film only saw one public screening, at the 2004 Seattle Film Festival–despite the fact that the White Stripes did not give their approval to screen or distribute the film. A June 23, 2004 post on the White Stripes’ official site, the band made it known that they were extremely unhappy with the film, and that they had a signed contract from Roca that gave the band all rights to the footage.

According to an MTV News interview with Roca, after the band saw a rough cut of the footage, they extended positive words about the documentary–but only a short time later, the band released a live concert music video for “Black Math,” (below) which mirrored the style of the footage Roca had shown them, and the band cut off all communication.


“Black Math” (live) music video in black, white, and red.

I kinda forgot about the documentary, only hearing about it in passing–almost as it if never existed, gathering a myth of its own. I heard about a friend of a friend who had seen it, maybe, and said it was pretty cool, etc.

But it seems as though a few months ago someone had managed to get a copy of the documentary and upload some clips of it to the internet, and only recently did I become aware of it.
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Reports Pitchfork via Rolling Stone:

According to a report on Rolling Stone’s Rock & Roll Daily blog, Moretti’s side project is called Little Joy and features the talents of Rodrigo Amarante (Los Hermanos) and Binki Shapiro [EDITOR'S NOTE: The project we mentioned a while ago which didn't have a name], who Rock & Roll Daily reports is Moretti’s girlfriend. The blog calls the group’s sound a combination of “Antonio Carlos Jobim, Vince Guaraldi, and Sixties wall-of-sound girl groups,” and the trio will release their debut album this fall via Rough Trade.

Fraiture has gone a simpler route with the name of his side project, Nickel Eye. His debut under the name is titled The Time of the Assassins. Nick Zinner of the Yeah Yeah Yeahs and Regina Spektor guest on the project.

Befriend Nickel Eye on Myspace.

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Despite the fact that I’ve seen quite a few James McAvoy movies since my first McAvoy Meter review, I’ve kinda been slacking on updating everyone on my drooling sessions. So here’s another one, of his most recent movie, “Wanted.”

Year of Release: 2008.
Synopsis: Wesley Gibson is your Average Joe accountant working a dead-end job, dating a cheating girlfriend, and best friends with an annoying jerk. When he discovers he’s the son of a super-human assassin–and he possesses all of the same capabilities–he is inducted into the elite world of professional high-stakes killers. Loosely based on the graphic novel by Mark Millar.
Character: Wesley Gibson. Lead character of this action-packed film also starring Angelina Jolie as his assassin school mentor.

How Much Screen Time Does James Have?: It’s basically all James all the time.
But, Is He Shirtless?: Yup. But only in one sequence. A pity since he significantly beefed up for the role.

Most Memorable James Moment: When Wesley lets loose on his irritating boss and co-workers after discovering his new found badass powers.

The Bottom Line: The movie is utterly stupid and unbelievable, but entertaining. James doesn’t get much of an opportunity to flex his acting muscles in between all of the ultra-violent shooting, dodging, and running, but when he does, he reminds us that he is in fact a great Actor. Although the genre and action in the movie is super-cool, his wardrobe and hair don’t (and can’t) really capitalize on his boyishly handsome looks. His American accent wavers at times, but in general pretty believable.

Final Rating: 5 on the McAvoy Meter for his dominating screen time and cool stunts.

Official trailer:

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Tonight I headed over to Union Pool in Williamsburg to catch the early show of Native Korean Rock and the Fishnets (aka- Karen O’s new side project).

The stage was set up like a kid’s school production of “South Pacific”, with a nautical extravaganza situated on the stage. A ship bow dead smack front and center, silver cellophane covering the floor, reflecting the blue and purple clear cellophane positioned by the monitors and drum kit–giving the impression of a dreamy sea. A foamy seascape hung as a backdrop.

When the band came out, they were all clad in white, with little sailor’s caps donning their heads. As the ship’s leader, Miss Karen was decked out in a checked button down shirt, black poofy skirt with pockets, and a captain’s hat with “Native Korean Rock” written in the band.

The subdued, 30-minute set was charming way to spend the evening. The songs were quiet, sweet, and whimsical–perfectly showcasing Karen O’s uncanny ability to sing songs with an intimate vulnerability that always rings true.

Here’s a video I took of the band performing part of “Day Go By,” by far the most “festive” song of the night. If NKR had an anthem, it would be this little ditty:

Although she was subdued in her stage mannerisms–mainly standing at the front of the stage, swaying back and forth with her eyes closed–Karen O broke out in an enthusiastic dance, and unleashed her familiar ear-to-ear grin during the song.

Before the encore, Karen declared, “I BELIEVE IN SUMMER LOVE!,” then launched into a song called “Indian Summer.”

No fellow YYYs sightings for the early show (but apparently were in the balcony for the late show), but frequent collaborator/personal costume designer Christian Joy was also on hand.
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Is this even legal? Both M.I.A. and Santogold teamed up with Radioclit and Gorilla Zoe to produce a song called “Get It Up.” Listen to it on the Radioclit Myspace.

More over at Gorilla vs. Bear, Pretty Much Amazing

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Tired of just seeing Yeah Yeah Yeahs members anonymously milling about at various events in the city, but miss the good ol’ fashion feel of Karen O spitting beer on you from the front of the stage? Check out Karen’s new side project, Native Korean Rock, this Monday in one of two shows at Union Pool.

From the YYY’s official blog:

Native Korean Rock and the Fishnets COME DROWN WITH US
Posted 7/17/2008 by KarenO

Native Korean Rock is a side project of mine comprised of a body of love songs written over the last two years, to be performed with a motley crew of NYC natives. Expect high drama, high stakes in two intimate performances.

Does Native Korean Rock have anything to do with Yeah Yeah Yeahs? NO

Are these the leaked demos of years ago? NO

Tickets available July 18 at 12pm EST via ticketweb.com

More over at The Music Slut

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Yup yup, even though The Von Bondies seem to have slipped from my radar, it seems as though they are still a working band (sans some eye candy–original member, the flame-haired Marcie Bolen, left the band in 2006), having finished their third album, Love, Hate, and Then There’s You, which is currently without a release date.

In anticipation of the new LP, the band has lent one of the songs off it, “Only to Haunt You,” to a rather unusual project–Lost Boys The Tribe. THAT’S RIGHT, LOST BOYS 2!!! Better yet, this vampire-heavy B-movie stars none other than original Lost Boy, Corey Feldman. THAT’S RIGHT, COREY FELDMAN.

Enjoy (Survive???) the trailer. I’m assuming the Von Bondies song is the one at the very start, and not the awful death metal music that kicks in during the vampire attacks:

THE LOST BOYS 2 OFFICIAL FULL LENGTH TRAILER

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I love the original video, now it features Muppets! Pretty awesome. The episode will air in August.

Watch it:

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Yesterday the sun was shining, the skin was sunburning, and the McCarren Pool in Williamsburg/Greenpoint was hopping for the third JELLYNYC Pool Party featuring indie rock superstars, The Breeders.

The rock royalty did a mix of old, new, and others, including covers of a Guided By Voices song, “Happiness Is a Warm Gun” by the Beatles, and (believe it or not), their “hit” “Cannonball” (mid-set!).


The late sleepers were shut out

The Pool was at capacity (as you can imagine) and there was a huge crowd of folks waiting at the gates the entire time that the Breeders were playing. [PICS TK] Folks actually attempted to scale the fences around the perimeter of the Pool, only to be foiled by the new beefy security peeps that are now present at the ever-growing event.

Openers Matt & Kim rounded out their set by bringing on a full marching band to do a raucous version of “Crazy In Love.”

And for fashionistas, Topshop/Topman made their first apperance at the Pool, with a picture photobooth and handing out TS tank tops, buttons, and probably the greatest giveaway I’ve gotten this year–a roll-up bamboo mat emblazoned with “TOPSHOP MCCARREN POOL PARTIES 2008″ on the outside. Surely this will be used summer long and various outdoor events. That’s what I call smart marketing.

More ovah at: I Rock I Roll, Brooklyn Vegan, Chronicle of Habit

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Tonight, folks who headed down to Castle Clinton in Battery Park were treated to not only beautiful, breezy summer weather, but a glorious set by Brooklyn transplant (and TMA fave) Annie Clarke–aka St. Vincent–as part of the FREE River to River Festival that brings awesome music events to the city each year.

Annie and her 6-piece band hit the stage promptly after 7pm completely decked out in white ensembles. Annie looked adorable in a sleeveless white A-line dress with black detailing and a black belt cinched around the waist. She donned black fishnet stockings (with a huge hole at the back of her left knee), black jazz shoes, and off-white plastic sunglasses.

Annie tried out some new songs, one of which she explained was inspired by all the Prince music she has been listening to recently. (Named “Comp” or “Camp” on the set list.) The song featured a chorus of “Better be moving on…” repeated over and over, and had a very slow, groovy R&B vibe to it. Another new tune, (tentatively referred to as “Trills”) was probably one of the best songs of the night, with a big brass/woodwind sound (french horn, sax, and flute) and a head-bopping drum beat.


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